Napalm Beach, Snow Bud and the Flower People, Divining Rods, Boo Frog
Why would the FBI listen to anything Courtney Love has to say? Are they not familiar with her reputation?
What about her record?
I don’t even have a record, except for the false one that she and her crew created on my behalf.
My patience is really thin. I think that if the FBI has no reason to be fearful for their own existence for what they’ve been doing to people, and at who’s behest, and totally outside of the law, there’s something seriously wrong.
So now I know Courtney did Kurt Cobain dirty (though not in the way that’s been presented by other sources) and she did Chris Newman dirty, she probably did Naomi Levich dirty, and she’s been doing me dirty too. So I’m not worried anymore about hurting her feelings by dragging out everything else. I’m also not quite as concerned about “protecting” Rozz Rezabek as I’ve been in the past. It’s not that I want anything bad to happen to him, because I don’t. I genuinely like Rozz. But I don’t think that my keeping the diary story quiet is going to be that helpful to him. His life is in danger because of this.
Courtney Love tended to distribute Kurt Cobain’s belongings to other people. Rozz apparently ended up with a lot of them. He said that an ex-girlfriend absconded with a bunch of items, but he still had some when I knew him (2008-2014). Chris Newman often told the story about when Courtney lived in the Napalm Beach band house (first half of 1981), and had left a journal on her bed, maybe even open, and he peeked into it, and read an entry about how she had a crush on him, he was a genius guitar player, but she didn’t know what her friends would say, because he was “fat.” She was just 16 and he was 27. This of course did double duty of making him feel both admired and belittled. His “fatness” as being a deal breaker came up again and again – the same month that Chris and I became a couple – March 2009 – Chris had been out at a bar and run into Courtney Taylor Taylor of the Dandy Warhols who told Chris that the reason he never got anywhere musically is because he “got fat.”
Anyway, make no mistake, Chris was supposed to find that journal. Soon they were making out and Courtney told him she was a virgin and she wanted him to be “her first.” That didn’t happen. However, not long after that, the band drove to Seattle to play a show at the University of Washington Hub, where they made a decent amount of money. On the way back, Chris said, Courtney begged Chris to ride in back with her. He wouldn’t. The other guitar player they had at the time, Mark Nelson, rode in the back with her, and later bragged to Chris that he had “devirginized” Courtney. Chris didn’t know whether or not that was a lie or the truth.
Courtney Love also had a tendency to leave journals behind. I suspect there was something strategic in this. One day, probably around 2010 or 2011, Rozz Rezabek called me up and said something along the lines of “I have a couple of journals of Courtney’s and in them she says she’s going to fuck Chris Newman, the guitar god. Want to see?” So I thought, yeah, I want to see. I went to his house and he handed me two journals, one from the latter half of 1981 as I recall, and one from 1982. This would have been after she was no longer living in the Napalm Beach house. And I looked through each journal and the writing was straight and neat and perfectly spelled and there was nothing about Chris at all in either journal. Rozz didn’t really have a comment about that. What I remember were things about other people in music (not so much musicians as people around the scene), a page with the word “Rozz” written over and over, and a to-do list that included getting Poison Idea into the Berkeley-based punk zine, Maximum Rock n’ Roll. Which apparently she did shortly afterward. I couldn’t find Chris’ name anywhere. Later I asked to see the diaries again and Rozz got real cagey about it, so I never saw them again. But I think that the hidden point was the double meaning of the word “fuck.” It wasn’t romantic.
And by the way, I think that’s how Kurt Cobain also intended to use the word “fuck,” at least in part, when he announced on live TV whenever it was that Courtney was the “best fuck in the world.” And/or it had to do with sex as a metaphor for gaining juice in the music business. Whatever Courtney Love had pulled off in the Napalm Beach band house, and probably in other activities, had gained her access to something powerful. Also, I now believe that the entire reason I was introduced to Rozz was to give her even more power. A lot of this is in the 2010 song “Pacific Coast Highway” – The first line is “I knew a boy who came from the sea” – Rozz grew up in Bandon, Oregon where the sign at the edge of town reads “Bandon by the sea.” With regards to that song, who exactly is the boy who “left me so damaged”? Is she insinuating that it was Chris? Or Mark Nelson? It’s pretty clever to drop hints of this type and allow people to draw their own conclusions.
Chris Newman’s history with Courtney was exaggerated by Flying Heart Records’ Jan Celt. Courtney wrote Chris letters from Europe but it’s not clear that they were literally “love letters” as Celt told the local music press. The were part of Chris’ belongings that were thrown out in 1996 by his landlord and brother in law. Chris said she wrote to him that he should go to Europe. Links between Chris and Courtney were further exaggerated by Eric Danielson in his essay and self-published book/s about Chris, insinuating the two of them had some ongoing romance, or that she had an ongoing crush on him that she only “dropped” when she met Kurt Cobain. As I’ve said before, Danielson has overtly refused to correct “errors” in his writing. That, I allege, is sign of a larger agenda, either to make Chris look self-aggrandizing (which he wasn’t) or to feed the rumor that they had been sexually involved, or to give Courtney even more power by making their relationship seem to have been more, and different, than what it was. I can’t think of a good reason to lie about this.
Courtney herself fed this idea in ways that made Chris feel special. For example, when she saw him with his girlfriend Nancy Loeffler in the late 1980s she said loudly “I would have married you Chris Newman!” and when he saw her play at La Luna in 1994 right after she’d appeared on the cover of Rolling Stone for Live Through This, she greeted him from the stage. That was a nice gesture, but it was always bait and switch after that, and who knows what she was saying or doing behind the scenes. In all honesty, by 1994, he should have had a lot more going for him than having Courtney Love greet him from stage. He had the talent, the tenacity and the catalog. He had done the work.
This show keeps coming back to me, with more and more unusual details. I notice it’s the date (32 years earlier) of the insurrection at the US capitol. It is the first show that Nirvana played outside of Washington state, although the following month they would play San Francisco and then San José.
The show took place on a Friday night. There are posters circulating, with Nirvana’s name misspelled. However, it was only this year that I saw that there was a third band listed for that night, Inner Anger. If you look at the Satyricon calendar, Inner Anger is mentioned, but Nirvana is not.
True to the pattern I described, Napalm Beach plays the following Friday night. The Friday after that is the Dharma Bums. In some versions of the “when Kurt met Courtney” story, it takes place at a Dharma Bums show at Satyricon (not sure what year). In the Charles Cross version of the story it happens in January 1990 at a Nirvana show at Satyricon, and in the Everett True version, it’s the following year, 1991, in Los Angeles. But I’m starting to think the entire “controversy” over this is a shaggy dog story intended to distract from the real issue: that Courtney Love was a honey trap, and that her mission always included the demise of Kurt Cobain, Chris Newman and anyone else who might stand in the way (Erika Meyer, for example – thus, Op Anne Boleyn) of the continuation of a crime which has been illegally and inappropriately sustaining a number of people and financial entities.
Back to January 1989. David Ackerman and I were pals for a while. I ultimately stopped interacting with people because they couldn’t or wouldn’t be honest with me. When Ackerman and I were pals, I made him a photo website with the intent of helping him license his photos and/or sell them as fine art prints. To this end, I posted some photos from this show, but they were relatively small, with the idea that if they were swiped, as tends to happen online, they’d be to small to do much with. I tried to make sure he’d get credit so that people could trace the images back to him. However, it looks like since that time, someone under the user name “braunnoser” posted a much higher resolution version of the photo to reddit. David had these images on negatives which, when we were working together, he had scanned and put on CD. He gave me the CD so I could use it for his website, and he may have also kept a copy of the CD. There’s only two ways, that I know of, that this high resolution image could have gotten onto reddit: either David gave “braunnoser” a copy of the CD or the image from the CD (and I could totally see him doing this. He was a lot less protective of his work than I was) or, it was swiped from the CD I had stored, because in fact my stuff gets swiped all the time, and the CD of images from that show has “mysteriously” gone missing and been replaced in different areas probably more than once. Also, one of the admins of the Pacific Northwest Music Archives site from which I was booted is named Karl Braun.
To me, it looks like the photo was taken between sets, where one band was breaking down and another setting up. The set list belongs to Inner Anger who would release an album that year called My Head Hurts.
Silent
Life Out
Don’t Leave
Cob Webs
The Tide
Divorce
Tears
Chance
Murders
Reality
Days’d
There’s more – there are newer versions of the posters associated with this show that are much clearer than what I’ve seen in years past. Here are two I found today:
Clearly, the version of the poster which includes Inner Anger is closer to the original. A question is, why Inner Anger appears one version and not the other – and is there a reason why the version with Inner Anger was not posted online anywhere until, as far as I can tell, this year. Also, now that I can see the poster with more detail, a few things stand out – there are not one, but two women on this poster, one black, one white, in this kind of occult twins formation. Also, they appear to have what looks like nipples over their butts. There was a band in Portland called Sweaty Nipples that seemed to play a lot of these same clubs. You can see them on this same January 1989 calendar, twice – once – on January 12 – opening for Burdyshaw’s Cat Butt. This looks to me like a link to the Mudhoney poster (nipples on a butt). January 12 is also the date, the following year, that Courtney would claim to first meet Kurt Cobain. Weird, right?
Also, and this I find particularly interesting – the style of the female figure on this poster is very close to art that Courtney Love would make. I think it’s even possible that it is her artwork. Even to this day she tends to draw these female figures with blonde bobbed hair, full lips, big eyes.
Finally, what is that stuff at the top of the flyer about THE WET SCENE? I googled the phrase and came up with a scene from he 1984 movie “Gremlins” on YouTube where water is spilled on a gremlin (Gizmo) and several more gremlins pop out, seemingly from its butt. This seems to contradict what happens, for example, to the witch in Wizard of Oz, when water is spilled on her. Rather than melting away, the Gremlins multiply. On this video someone commented “Gizmo knew from the start how this would end….” a phrase from the Hole song “Asking For It”
Do you see what I mean by “set ups”?
Other thoughts about the calendar – in addition to Kurtz Project (Trés Shannon of Voodoo Doughnut) – there’s what appears to be a band called Heart of Darkness playing on Tuesday the 17th. Drawing a parallel to my own life – Courtney had recently been in Minneapolis. It seems like she must have left Minnesota almost the same time as my honey trap boyfriend Mike Payne – he left in November 1988. I now wonder if maybe part of the reason he was there at all was to connect with Courtney Love in some way, because they both knew my friend Erika Schlaeger – in this situation, honey traps aren’t always romantic partners – they can be, and are, trusted friends too. That’s what Erika Schaeger was.
Around this period of time I’d been reading Heart of Darkness and Moby Dick for my college classes. The idea of Heart of Darkness links with Napalm Beach (Apocalypse Now being based on Heart of Darkness) and with what I was doing, as well as what this crew was up to. I feel like many of the bands on this particular calendar may have been linked in a web or net of sorts. I know that Courtney Love was plotting promotion strategies of various local bands going back to 1981 (because I saw a couple of her diaries) – and that the things she plotted out, she generally achieved. Satyricon owner George Touhouliotis seemed to be fairly close to her, so it makes me wonder if this entire January 1989 calendar involved her in some way.
Sept 19, 2022 update: I re-edited this entry today to correct mistakes around the band name Inner Anger. Also, found a set list for Nirvana:
School
Love Buzz
Floyd the Barber
Mr Mustache
Paper Cuts
Mexican Seafood
Spank Thru
Aerozeppelin
Sifting
Hairspray Queen
Big Cheese
BLEW
Some pages from a book on Seattle music – pages are 1969-70 – I made was at first looking at the line up for the May 3 Spring Flush (see poster) but then I noticed that on Chris Newman’s 16th birthday Paul Revere and the Raiders headlined a three-day “Teen Spectacular” at Seattle Center. The bands at University of Washington and the use of the pink butterfly as an illustration, caught my attention. One of the bands was Peanut Butter Conspiracy, making me think of the famous Iggy Pop peanut butter scenes from June 1970, and the fact that Iggy had a song called 1969, and another called 1970.
For his whole life, Chris had a weakness for peanut butter, which he would binge on. I could tell by how and when it came on, that it was frequency-induced. So it was a biomedical attack, one of many that affected his weight, his self-image (he falsely believed that he lacked self-discipline or self-control) his happiness (because of the effect on his self-image), and his health. It was literally a peanut butter conspiracy, but it wasn’t funny, it was cruel.
I know that my father’s alma mater, University of Washington. was among the many universities involved in butterfly making, and this is just further evidence.
With regards to Courtney Love, there is another misdirecting story about her where it’s said that Rozz Rezabek is the first person to call her “Love” as a pet name, as in “Courtney, Love.” There is an alternate story that Love was literally her middle name. I don’t know about that but I believe that she was called Courtney Love going back to early childhood. Her mother basically says this in her book, quoting herself as addressing her as “Courtney, Love” driving through San Francisco when Courtney was still a toddler. I bring this up, because if it is true, and if it is also true that Courtney was under a lot of surveillance, or if this whole idea of “love” is something older, that’s always been linked to her – then that means that when the word “love” appears in a song, even an old song, it might refer to her, or to her role.
Pinking out the black, dreaming in a crack
Sonic Youth, Dirty Boots (1990)
Satan got her tongue, now it’s undone
Every time that I stare into the sun
Hole, Asking for It (1994)
Angel dust and my dress just comes undone
“Good come in pink boxes”
The magic is in the hole
Voodoo Doughnut Slogans (2003-present)
When did Kurt Cobain meet Courtney Love? I’ve looked into this, and I don’t have an answer. Honestly, I’m not even sure when Chris and I first met, and that is because when you are into music and/or are a musician, and you are in a scene with other people who are into music and/or are musicians, you tend to know about people, especially performers, before personally meeting them. You might be in a room with the person, maybe be introduced briefly, or in someone’s orbit, part of a group conversation, etc. Then later on down the road, maybe you have the opportunity to have a longer conversation, but often it’s in a social setting with lots of other people. That’s how it was with Chris and me, and likely it was that way for Kurt and Courtney, but with the added twist of Courtney likely always had a mission and knew she had a mission. I say this because it seems clear to me now that when Courtney arrived in Portland in 1980, she was apparently on a mission to frame Chris Newman as a child rapist. It also seems clear that her father was part of that plan. Supposedly it was her father who provided her with the Owsley barrel acid she brought with her.
If it is true that Courtney had a mission with regards to Kurt Cobain, say by the mid-1980s, then it stands to reason she would have known when she first met Kurt, because she would have been paying attention, and it would have been a set up. By now I see that set ups are the rule, not the exception for people under this much surveillance and control – including Chris, me, my daughter, Kurt Cobain. This is unacceptable, by the way.
When I was running this Satyricon fan page on MySpace, as I said before, I received this at the time unpublished photo of Kurt Cobain by email which I thought was really neat. It was from Monica Nelson’s friend David Ackerman, a photographer who liked to take photos at Satyricon, and it was a performance photo from January 6, 1989.
Over time I saw more and more photos from that set eventually having access to the full collection. In one photo, I thought I recognized Courtney Love’s face looking up at Mudhoney, and sent an inquiry to Everett True about it, whom I already had had some email exchanges with, and he said that it might be her, but even if she was at the show, she was probably there to see Mudhoney, and there’s no evidence she met Kurt Cobain there. Later I realized the blonde woman in another photo was Courtney, or David told me it was her. The thing about this show is there weren’t many people there. Also, Courtney is pretty dressed up and front and center. I don’t know where she was living in 1989, but I now know she had been around my circle in Minneapolis in 1988, and in April or May of 1989 I would run into some LSD that was likely Owsley LSD – in Minneapolis. That may be nothing to do with Courtney, and everything to do with the CIA. It seemed like in the 1980s (and probably to this day) Courtney was/is always on the move with stations in New York, London, Los Angeles, etc. In the old days it included Portland, Seattle, San Francisco.
Then there’s this whole thing going on where even the most cursory contact with a person somehow earns another the “right” to file defamatory reports with the FBI. And by “defamatory” make no mistake – I don’t mean “negative” I mean full of damaging lies. For example, if I sell something to someone through the mail – the person pays me some money, and I put something in the mail to that person – or if I go and sell some musical equipment at a store – these people who engage in this simple, single straightforward transaction somehow have now earned the right make reports about me to the FBI. How this works I don’t understand. It could even be untrue, because I have no corroborating evidence. But it does seem to be true that any contact with a person whatsoever earns people, especially certain people, the right to create FBI files. So as soon as Courtney had some contact with, for example, Kurt Cobain, she could have been filing reports on him, with an agenda behind it all. And I have reason to believe that Sub Pop as a business was linked into all of this. The reason I believe this is because of how Cobain’s (Nirvana) shows were scheduled in relation to Chris’ (Napalm Beach or Snow Bud) shows – there was a parallel going on, not just in Europe but in Seattle and Portland, too. By this I mean, they typically would play the same clubs within a week or two of each other. (“I’ve been in your heart shaped box for too (two?) many weeks…”) I haven’t really shown this yet because every time I start working on collecting the data, the isht hits the fan.
I would ask myself why there would be a parallel going on. Sometimes things like this happen because there’s an occult side to this. Because the crimes are CIA and FBI linked, and police and the press are locked down (or that’s how they behave), there’s far less than usual concern about being “caught.” So there is some flaunting, display of power, going on.
The dirty plans for Kurt Cobain were, as most of these larger and more coordinated crimes are, not so much secret but covered up. I say this because I’m starting to see suggestions of something come out in videos both before and after the death of Kurt Cobain. There is the Sonic Youth video for Dirty Boots from 1990 showing a boy in a plaid shirt and a girl in a Nirvana t-shirt dramatically leaping off a stage, falling through the air. The Nirvana t-shirt has a home-made screen print look, with the word Nirvana appearing above a concentric circle radiation/target design similar to that used by Courtney on her posters for Hole. Also interesting that the t-shirt screen is red, since Cobain’s wrote his suicide note ~3 years later in red pen.
The girl in the Dirty Boots video supposedly was chosen after being seen dancing in a club in New Jersey. I suspect that there is something deliberate in that, the New Jersey link. The boy in this video seems like he had some resemblance to me during this era. His hair is the same or similar color, length, style.
Is “boots” a play on bootleg? See poster with Babes In Toyland mentioning “bootleg” and “dirty, icky clothes!!” – Is that in turn a link to the Columbo coat? And later, the cat-piss leather jacket? Another possibility has to do with Chris getting back together with Valarie in San Francisco October of 1989, the weekend before the Loma Prieta earthquake. Jan Celt had been quoted in the local music press making a comment that Chris had found gross, about how their “boots would be knocking.” In fact, just as Chris was leaving San Francisco, the bridge-buckling earthquake hit.
Later, when Chris and Valarie were living homeless on the streets of San Francisco (and it sounds like running off to San Francisco was Valarie’s idea; she’d grown up in San José) – there’s a story that I heard from both of them which is that Valarie would go dumpster diving for clothing or fabric behind a high fashion store, and the police would call her “Courtney” – like, greet her, “Hi Courtney!” I don’t know if this was a one-off or a regular occurrence but it suggests a link or parallel between Valarie Caldwell Newman and Courtney Love Cobain and that the police in San Francisco were aware of it. And it’s also linked to dumpster diving and maybe “dirty clothes.” Is the world “clothes” linked to death? (clothes/close)
Then there’s the 1992 Radiohead song “Creep.” There are different ways to listen to this song. Like, to me, maybe he’s not singing “I’m a weirdo” but “I’m a widow.” And “running out the door” is by design a mirror – meaning – either escape for the prisoners, Chris and me, or escape for the crime gang. In this case, the meaning is the latter, escape for the crime gang. And a primary strategy in this is to run out the clock – to get enough time to attack with radiation weapons and kill with cancer. This is what they need time to do, and why they always find a reason to ask for or incentivize others to accept the idea of giving us more time in captivity. Now, we should never have been kept in captivity. It is illegal, immoral, unethical, and cruel. But brainwashing and cult-like control is a huge part of this. They can make people believe or accept almost anything (they hope), and all they need to do is to keep the loop running long enough to “escape” and that in turn will give them the ability to continue the crime indefinitely (they believe). Another aspect of Creep is that the idea of it being about Courtney is probably a back side to it being about portraying me as a creep, the idea that I’m someone no one notices, that I want to be special, etc. That’s been both the manipulation around me, and the set ups, and the portrayals. I may have wished to be noticed, etc, but I never thought that I was a creep. But it’s not really about what I think, it’s about what the actual creeps project. At the end of the song they sing “run, run, RUN!” like a warning, which is, I think, what they wanted to do. To warn me, to warn Chris, to warn Kurt Cobain.
I think knowing this now, other songs like this will come forward. For example, Tom Petty’s “Into The Great Wide Open” (1991) and possibly Peter Gabriel’s “Big Time” (1987). I definitely see it in music videos that came out after the death of Cobain, like Soundgarden’s Black Hole Sun which is another mirror type song.
Back in 2014 I thought that the concept of the “hole” and the “sun” were equivalent but now I realize they are opposite. The hole represents death and darkness, while the sun represents truth.
It’s also pretty obvious, looking at this, that there’s a link between Courtney Love and Voodoo “the magic is in the hole” Doughnut, the spiral on the voodoo doll style doughnut being a link. The spiral may be worth its own entry.
I do see that in the Dirty Boots video it’s less a spiral than concentric rings, and I suspect this has to do with the acid test I would be put through on June 8, 1991, on the Klamath River (one year to the day, as it turns out, before the release of Faith No More’s album Angel Dust). The target shape looks like a topographic map.
As it appears on the t-shirt, it could be a vinyl record, a mountain peak, or a hole.
I just woke up at 3am to a most unpleasant dream. The dream faded as I woke, but the gist of it was this. That there was an interest in murdering me with cancer, via tower based radiation (which is how Chris Newman, Sam Henry, and Andrew and Matt Loomis among many others were given cancer) aimed at my abdomen/stomach – probably choosing that area of my body because my maternal biological grandfather was murdered with stomach cancer, and the doctors can say, disingenuously, “it genetic.” It has something to do with newspaper clippings maybe, maybe related to Napalm Beach/Untouchables, and there’s the idea of three, like three clippings, and a sense of the article Charles Cross and I think specifically the article Cross wrote about Napalm Beach for Seattle’s Post Intelligencer back in 1981. Then I woke up with a distinct sense of having been attacked in the stomach with radiation weapons – I can feel it right now, hot and unpleasant, and Roxy was also attacked and jumped up on my bed screaming. (Now I’m getting it in the lungs too.) So here I am again. I’m just going to riff for awhile on this because I’m living through night after unpleasant night and I’ve come to the point of really having had enough of the control agenda. I’m going to say right now, this blog is going to be stream of consciousness, I got to get it out kind of writing. Definitely imperfect, and very important. I have decided I am not going to stop spitting truth, because truth is too important.
It’s clear beyond clear that the false and misleading stories about Nirvana and grunge are paid for and coerced and the whole control agenda goes back to the very origins of the label. Furthermore, it seems pretty clear that contrary to the way things have been spun in written histories, Courtney Love was an integral part of the beginning of Sub Pop, and it had to do with her role – and Sub Pop’s role – with both Chris Newman and Kurt Cobain. And that I have been gradually exposing that is making them want to come down on me.
A few things about this – I didn’t set out to “expose” anyone. I set out to tell the truth about Chris Newman’s history, the same thing I was doing in 2013 when all this trouble started. The thing is, when I start to write about the history of Chris Newman, somehow I keep uncovering troubling information about the history of Kurt Cobain. The first time this happened, it was because as I learned to decode the language in the songs, it became clear that Cobain’s lyrics were pointing to something bad happening, or that had happened. I considered Courtney a sympathetic character at that time, and she cleverly played into it in a number of visible ways that eventually became clear were tricks and set ups aimed at misdirecting me, and tripping me up. It is my understanding that in the background she’s been financing these false reports sent to FBI/CIA, “Op Anne Boleyn” with the intent of getting me killed with cancer, in order to cover up crimes committed by her and others in her orbit, including James Burdyshaw and Monica Nelson. It’s honestly hard for me to swallow that Monica’s been part of this but I just go with where the evidence is taking me.
I think that one of the things that’s happening is that in order to piece together Chris’ history, I have to use the historical record, and the books that are out there (and again, I’m not up on the latest but I can’t imagine it’s changed much) are books on “grunge” as a general phenomena, and books on Kurt Cobain specifically. It looks like there a couple books on others who were murdered through black bag ops – Andrew Wood, Layne Staley, Chris Cornell – and yes, they were all murdered (there were others too – Mia Zapata is a case that seems to be involving some mind control cover up). I’ve seen clear signs Staley and Cornell were murdered and I’m just assuming Andrew Wood was a murder too because it would fit the pattern. It’s not hard to see these things once you know what to look for and investigate. The clues are designed to be obvious to those to whom they need to be obvious, but subtle enough to make it difficult to bring a case to court. Though cases could still be brought, if the police were willing to investigate black bag ops murders. The evidence is pattern-based and the murders are done through piezo-electrical biomedical implant networks accessible to the FBI and CIA. Presumably, that’s why it’s so hard to get them to investigate or address my evidence-based claims about these biomedical implant networks. By now they seem to feel entitled to do this (implant people without consent and use the implants to abuse, maim, murder), even though they they know it’s illegal as hell. It’s hardcore gangster stuff done to innocent citizens under the guise of law enforcement, using weapons of state (US government).
But I digress.
My main problem right now seems to be that my line of inquiry has led me again to Kurt Cobain, and in doing so, I’ve been uncovering lie after lie, published in more than one biography. I’ve only been focused on one lie over the past few days, but in the background I’m finding others. With regards to the first lie, that James Burdyshaw of CAT BUTT saw Nirvana open for the OBITUARIES at Squid Row in the summer of 1988, the whole reason this came up for me at all is because I was trying to catalog as much of Chris Newman’s show history prior to 1996 in Seattle and Portland as I could, based on whatever I could dig up online in the form of show posters, calendars, or other histories. This move – a totally reasonable thing for me or anyone to do – seems to have made people freak the f out. Don’t forget, I’m under 24/7 total surveillance including my computer screen being monitored in real time, with the ability to retaliate against me also being in real time. It makes it a real bitch to get anything at all done. Obviously, that’s by design. I don’t call this system “Nazi” for nothing. (Also, real WWII Nazis have been involved. It’s Operation Paperclip linked, MKULTRA type stuff.)
Why are they freaked out and trying to prevent me from looking into a simple history? I don’t know. But in doing that, I came to this lie told by Burdyshaw to Everett True, and got into a discussion that involved Burdyshaw online trying to fact check it, and in doing this I said that I thought the publisher of the book Nirvana: The True Story was not doing due diligence with fact checking. I mean, any interviewee could either lie or make mistakes, but either the writer, or the publisher, should have caught it. But then I realized, there is a pattern of bad information in books about Cobain. There’s also oh-so-much theater going on around this, which is part of a distraction thing I think. Remember: control of focus is a big part of this. These people – like Courtney Love – are not amateurs. They all work from a common script and a set of behavior manipulation techniques that was developed by the CIA.
If you wanted to continue to give the Everett True book benefit of the doubt, you might say, “Well, Everett True is from England, not Seattle, and the book publisher is English too, so they can’t be expected to get everything right.” I don’t know whether that’s reasonable or not, but let’s say that is the case. It turns out that there are also errors in the Charles Cross book, Heavier Than Heaven, that I wouldn’t expect to find. I can think of three errors I’ve run across. Two of them have to do with circumstances around Cobain first meeting Courtney Love, and one has to do with when and where Nirvana played their first shows. Everett True also gets the Cobain meeting Courtney Love story wrong. I don’t know when or how they met but I know it had to be by 1989 if not earlier. If you asked me to guess, I’d guess they were in each other’s orbit before Straight To Hell. This is for a few reasons, one being the size of the scene, one being what is increasingly looking like Courtney Love’s pivotal role in the formation of Sub Pop, and one being that Courtney Love, who had already tried, as an underage teenager, to honeytrap Chris Newman, had been chosen to become Cobain’s honeytrap. I might write more about this – there’s too much to say to put it in here.
Remember, not just the recording industry, but the CIA, in all their well-financed occultified brilliance, is behind this, partnering with the FBI.
I have a decent idea of what Chris and my roles have been in this. It’s harder to understand some of these ancillary crimes, like what happened to Bret Bowman and to Kurt Cobain. A lot of crime seems to be done just to get people deeper and deeper into the system and become more and more dependent on the crime gang for financial protection and gain, social capital, professional advancement, and protection from the consequences of being involved in crime in the first place. In other words, it’s layers of control. Keep in mind this is not just a few rock musicians or even the entertainment business but there are a lot of powerful and connected people involved in this, and maybe most importantly, the multi-billion dollar health care industry, including hospitals, doctors, nurses, psychologists, pharmaceutical companies, etc. All of these entities (and more) are participating in, and expect protection from, the CIA- and FBI-run crime network.
So basically the gist of it is this – by looking into, and publishing information about Chris Newman’s history, I disrupt the script that has been developed and repeated over and over, specifically in order to hide, not just crime around controlling Chris and burying his legacy, but crimes around Kurt Cobain – that they always planned to suicide him. And by they, I mean the CIA. The reason for this may simply have been to add another layer of protection to the attempt to keep Chris Newman from escaping lifelong imprisonment, but it’s also clear there’s a extremely lucrative profit system around these murders, and my understanding at this point is that the profit is from the financing of “FBI files” which are then used as a justification for murders, but I think there are other revenue streams as well, including streams linked specifically to cancer, a very lucrative disease. It’s not just murder, but insurance fraud. There’s also covert biomedical research going on. Many of these cancers are rare cancers, and give doctors the opportunity to try out the latest new treatments. And it’s not only cancer. Chronic and degenerative diseases are also lucrative diseases created by the CIA via biomedical implants. I also have reason to believe all the recent pandemics and re-emergence of older diseases like polio are part of this. In fact, as time goes by I’m realizing that the biological warfare component is huge and growing. It appears to be war-for-profit by the CIA and medical industry against, basically everyone in the world.
The bigger the crime, the more important control of information becomes. Right now publishing in general seems to be very controlled. That is obviously a first amendment violation. From my perspective, it’s hard to understand why Americans don’t fight harder on behalf of their constitutionally protected rights. You don’t even need to pick up a gun, you just need to tell the truth. But the first truth to tell would be the truth about the CIA crime network, because until that happens, it threatens everything and everyone, meaning there is no freedom.
I don’t know quite where to go next. Do I keep talking about Kurt and Courtney? Do I talk about whistleblowing I’ve witnessed around the hospitals?
One thing I will say is back in late 2017 it was made really clear to me while I was inside of Providence Hospital, on their internet network, via that network, that there was something to look out for under the name “Naomi.” Naomi is the name of Sam Henry’s ex-girlfriend who died of cancer before the age of 50. She was very close to Rozz Rezabek, an ex-boyfriend of Courtney Love. If the prevailing stories are to be believed, Courtney was stuck on Rozz for ages. Rozz was basically in love with Naomi, and Naomi was also pretty close to Chris. Naomi is also the name of an MKULTRA era CIA biological warfare program. I think both meanings were intended, in part because Naomi Levich was killed by the CIA – under technology linked to Project Naomi – radiation weapons and piezo-electrical biomedical implants. And why would she be killed? Apparently people are killed because of defamatory reports filed with the FBI. You can imagine who might have been filing defamatory reports on Naomi Levich.