Tag: Snow Bud

What was the motivation to elevate, then destroy Kurt Cobain?

And the sky was all violet
I want it again, but violent, more violent
Yeah, I’m the one with no soul
One above and one below

Courtney Love – Hole – Violet – 1994
Napalm Beach w Venarays

One of the things I’m trying to parse is the motivation to lift up, then destroy Kurt Cobain, and to involve Courtney Love in that endeavor. Because that’s what I think happened. I think that based on the way Nirvana was run parallel to Napalm Beach between 1987 and 1991 (I don’t know if I’ve fully shown that, but I’ve seen it) – and the movements of Courtney Love, from the Napalm Beach band house, to the UK, back to Portland, to San Francisco (this may have been Rozz-related, but there are a lot of people linked to San Francisco including some around me), back to Europe, making Straight to Hell and Sid and Nancy in 1986… during this period of time, she was always back and forth to Portland. Kat Bjelland’s band Venarays was playing around Portland and Seattle a lot in 1986 and 87; Bjelland probably moved to Minneapolis in 1987 and Love followed her (so the story goes) in 1988.

For my part, I left Humboldt County and started going to school in St Paul, across the river from Minneapolis, in late 1987. (Again – I’d wanted to go to school at Evergreen in Olympia.) My boyfriend Mike Payne showed up in June 1988 and we moved to Dinkytown in Minneapolis where he lived with me until November. The girl that I considered my best friend was Erika Schlaeger. She lived in a warehouse space downtown and she knew everyone in Babes in Toyland and I later found out she knew Courtney Love as well.

All of the people I thought were my friends (as well as Mike Payne) apparently turned out to be backstabbers, filing false reports with the FBI. This may be why the FBI/CIA started torturing me via back implants in 1990, though I think there was an alternate goal which was to introduce me to muscle relaxers and opioids. This was done, it seems deliberately, to many people in my circle, and of my generation. I had no interest in taking heroin, so they (corporate financed, medical malfeasance FBI/CIA) made me a “chronic pain patient” – which they also did to Kurt Cobain and many others. This kind of thing seems so insanely evil it may be hard for some people to believe but it’s really just normal operating procedure in this lucrative (for someone) living nightmare.

With regards to honeytraps, I’m putting together is a picture where there is a lot of movement with key individuals, including lots of traveling to Europe and elsewhere. Mike Payne went to Europe/UK and Southeast Asia at least three times in the late 1980s. Erika Schlaeger was traveling in Europe and South America. Courtney Love was in Europe/UK and Guam, maybe other places. These same individuals also travelled frequently within the Untied States. Where did all the traveling money come from, and what, exactly, were they doing on these trips? Were they collecting and distributing finance? Were they brokering deals? Were they peddling malfeasance and murder?

There are other weird coincidences. I’ve talked about the matching jailbait honeytraps – Courtney (aimed at Chris) and “George” (aimed at me) both of whom were linked to Erika Schlaeger in Minneapolis. But my daughter was also honey trapped beginning in 2018 by a guy she met in Washington D.C. while she was doing an internship. This was a very nasty and traumatic thing that was done to her. This man (who lied a lot) had grown up (he said) in Hollywood, Florida (near Miami). During that period of time my daughter had been placed in housing on the George Washington university campus and her building was called The Dakota (about five blocks from the White House, it looks like). That’s a link to (John and Yoko and) Courtney Love and Erika Schlaeger. I say it’s a link to Erika Schlaeger because in the 1980s there was an old hotel in Minneapolis called the Dakota with a dark bar downstairs that Erika liked to frequent. I say it’s a link to Courtney Love because she wrote a song called “20 Years In The Dakota.”

map of Washington DC showing location of Dakota building

This is really hard to write about because it is so infuriating as a mother that they did this to my daughter, even after I was actively trying to address this issue, warn my daughter, etc. These occult creep-stars have a million different ways to kidnap, lie, exploit, betray, harm, and murder, and Courtney Love is at the forefront of a tremendous amount of this, representing, I think, global corporate finance and entertainment industry interests, all while being backed by the FBI and CIA.

This brings me back to why there was this plan to promote, then destroy Kurt Cobain. I have to guess it was for a few reasons. First, there’s the occult. It could be a very old thing done with modern technology, as I suspect what was done to Bret Bowman was a very old thing done with modern technology. But the practical reason may have been to essentially capture everyone involved in the crime, especially Kurt and Courtney. Kurt Cobain was likely chosen for a number of reasons, including his talent, his location, his background (family ties, butterflies) – and possibly also because he was not fully on board with the program of destruction aimed at me and Chris Newman, thus he was a strategic elimination. By involving Courtney Love in all of this, it makes her very invested in not having the truth revealed. And there’s been a ton of energy put into hiding the truth. Even the so-called “justice for Kurt” movement is part of the hiding of truth, because it presents a scenario that isn’t even close to what happened.

When I look at what happened to Bret Bowman and what happened to Kurt Cobain as matched atrocities, what I see are the same players, basically. At the very least, you see that people involved in each scenario were adjacent to each other, but I honestly see signs of Courtney’s tracks in both events. When Bret was hit by the car on June 27,1988 while high on LSD, he was on his way to the Country Fair in Oregon. In my mind, the Country Fair is linked to Rozz Rezabek, because he went every year, and to Courtney Love adjacent hippies (the Ken Kesey crowd). And Bret was going to meet Scott Gear who worked for Sub Pop either at that time or right after that. Also, as I’ve mentioned, the day Bret was hit was the last day of the monthly Sub Pop Sundays showcase, held this time on a Monday. It’s not clear who played that day, but the previous month it had been the Derelicts and the month before that, Nirvana (April 24, 1988). Before Nirvana it was Doll Squad, and the month before that, Snow Bud and the Flower People (February 28, 1988).

Bret had been hit in Crescent City, California which is where my daughter’s father lived. I can tell that Courtney Love is a malfeasance link to my daughter’s father’s family, and I know that the children in that family have been subjected to trauma based mind control attacks and abuse (because that is really what trauma based mind control is – repeated abuse, at a multigenerational level, applied with intent of molding a slave/prostitute/warrior personality) and I have reason to suspect that Courtney’s father Hank Harrison is behind some of it and I’ll say why that is. It has to do with the comment he made on the Nick Broomfield movie Kurt and Courtney about setting a pitbull after teenage Courtney. I don’t know if that really happened to Courtney (I sort of doubt it) – but it did happen to one of my daughter’s cousins, a cousin that grew up in Oregon and who seems to have been very involved in making false reports to the FBI. These are Native Americans being systematically molested, abused, and exploited by corporate forces, the FBI, and the CIA.

Like I said, Courtney doesn’t really care about her butterfly warriors. She cares about power, money, and keeping the truth buried. And she cares about getting kills. Backed by corporate greed and medical malfeasance, she really has weaponized the FBI and CIA as a killing machine.

And also, as I’ve said, not just Courtney, but a lot of people would rather it not be known that they knew about, participated in, or profited from the take down of Kurt Cobain. That’s one reason there is such a focus right now on taking me down. The other reasons have to do with the thefts and fraud around Chris Newman, who’s estate I inherited. Chris’ true story interferes with the myth of Sub Pop, among others.

So much of this is written right into the songs themselves. Cobain’s song, “Opinion” which he bravely played on KAOS with Calvin Johnson loudly crunching some food as Cobain introduces the song, for example. Sub Pop had been a subscription service – starting with a cassette zine and by 1990, singles – something everyone who comments on this song pretends not to notice – but that’s par for the course.

Congratulations, you have (won/one)
It’s a year’s subscription of bad puns
And a makeshift story of concern
And to set it up before it burns

My opinions. Mmm hmmm (4x)
And there seems to be a problem here
And the state of emotion seems too clear
Now they rise and fall like wall street stock
And they have an affect on our peace talk

Our opinions….

Back to the 1980s – Peter Gabriel “Big Time”

Before I ended up being diverted and having to talk about the 60s and 70s, etc, I was focused on documenting Chris’ history playing music in clubs in Seattle and Portland though I know he played a fair amount in the SF Bay Area as well – I just don’t know how much, or what clubs I’d been looking at. Anyway, I started to see a strange pattern around Chris’ gigs in Seattle in 1987 and 88 and the beginning of Sub Pop, and I also started to see a strange pattern with regards to Chris’ bands and Nirvana specifically between 1988 and 1991. During those years, Napalm Beach was frequently playing the same clubs as Nirvana, and they would play a week or two apart. As I was looking into this, it seems like things got really weird and I was drawn into covering all this adjacent stuff.

Yes, I would prefer to focus on topics that I think will garner movement, in court. Because I don’t know how else anything will ever get accomplished. I see no reasonable route out of wonderland. It seems like nothing but a crime and murder spree to me. The physical attacks have been ceaseless and the lies exhausting. Roxy is being attacked right now.

It looks to me like Chris was extremely productive between 1980 and 1988. In the late 80s, he began to have issues with drug addiction – first cocaine, then heroin, though he continued to play regularly. Meanwhile, he had been lured into contractual agreements with Jan Celt who was operating a fraudulent operation on behalf of other interests in the music industry and/or FBI/CIA. Celt was another form of honeytrap – he offered friendship, a place to stay sometimes, and he helped put out records, but he didn’t adequately promote or distribute and he also participated in drug use with the band. Chris told me Celt basically let the records sit in his basement. Celt misrepresented his intentions; he insisted on taking all the publishing rights; and when Chris was being threatened by drug dealer over a small amount of money, broke and in fear for his life, Celt forced Chris to sell his Snow Bud and the Flower People catalog under duress, for $6 per song. Valarie had once admitted to me (probably around 2010) that she knew that Celt’s deals were fraudulent. I asked her to write a statement about it and she said she would, but of course she didn’t. That’s how people operate in this take down. They don’t follow through and hope you’ll forget you asked. There were old copies of – I think it was a magazine called Two Louies online, where Celt was quoted as telling a story that was basically the true story, except turning Chris into the Snow Bud character, saying Snow Bud had to sell his catalog to escape a drug dealer. So he was basically bragging about his theft. That online article seems to have vanished, as so much evidence has gone missing over the years. Signs are pretty clear that money is being paid to the FBI to destroy Chris and other artists. The point is – these contracts were fraudulent, some to a really egregious level. And Valarie, who had previously acknowledged this, would not put it into writing, and the moment Chris died (if not before) she lept over to the side of Jan Celt praising him for the work he did with Chris “saving his catalog” etc. Complete lies. She is completely untrustworthy and I believe also on the take.

Jan Celt has worked for decades for Multnomah County Library. Chris has released many albums over the years. A search reveals that the library has exactly one of Chris’ CDs (Fire, Air, and Water); and to my recollection that was also the case years ago. Similarly, EMP in Seattle apparently had a single Napalm Beach flyer on display. Napalm Beach/Snow Bud played more shows in Seattle in the 1980s and 1990s than Green River/Mudhoney and far more shows than many of the other groups who are well known as part of the “Seattle scene” of that era. This is not about sour grapes and a band being “overlooked” and it certainly isn’t about Chris being worthless. If that were the case they wouldn’t be regularly headlining weekend shows as they were. No, this was – and still is – a coordinated take down. And in the local papers – Willamette Week and Portland Mercury – what I’ve seen is they’ve gone from scant mentions to literal erasure, and this happened while Chris was still breathing.

Meanwhile, we have guys like Eric Danielson now trying to turn Chris’ life into some “cautionary tale.”

This stuff is old and it stinks. To me, it feels like endless loops of rape and assault.

The blacklisting and the attacks are out of control.

Back to 1987.

I need to take another look at Sub Pop. They seem like they modeled themselves originally not just on K Records but on other labels like Slash in Los Angeles and Subterranean Records in San Francisco. But they also seem to have been immersed in the occult – maybe all these labels were. I don’t know if that was their idea or if it comes from the CIA and/or bigger components of the recording industry. Courtney Love is a link to the occult and to the CIA. I also think Mike Payne was making deals with them.

Peter Gabriel’s 1987 music video for Big Time describes a path to wealth that seems to be based on Whitey Bulger finance (the last line is about a “bulge” growing bigger). It seems it is linked to doing murders via reports to the FBI. The video begins and ends with the words “Hi there!” Snow Bud seems to be a character traveling underground, popping up at the end “Hi there!” But there’s all this effort to smash him, with concrete blocks and so forth.