From Nirvana: The True Story (2006) p 80 – with my own commentary following
Coming back to this quote that caused all the ruckus, a few things stand out to me. Did Burdyshaw even ever see Nirvana perform? All the things he says contradict each other so much that it seems entirely possible the whole thing is made up. Why is it so important to put him in a book?
There’s a footnote here, number 22, the number of the Fool. The footnote reads “James is exactly describing “sifting here -which is very Melvins.”
Sifting
Afraid to grade Wouldn’t it be fun? Cross, self-loss Wouldn’t it be fun? Wet your bed Wouldn’t it be fun? Some felt numb Wouldn’t it be fun?
Your eyes Teacher said Your eyes Teacher said Your eyes Teacher said Preacher said
Don’t have nothing for you Don’t have nothing for you Don’t have nothing for you Don’t have nothing for you Don’t have nothing for you Don’t have nothing for you Don’t have nothing for you
Spell the smell Wouldn’t it be fun? Search for a church Wouldn’t it be fun? Wet your bed Wouldn’t it be fun? Cold and coals Wouldn’t it be fun?
Your eyes Teacher said Your eyes Teacher said Your eyes Preacher said The Preacher said
Don’t have nothing for you (etc)
A few things stand out about Sifting – first – I don’t exactly understand the title. Initially I didn’t understand anything much about Nirvana lyrics but over time I started to understand them pretty well. Maybe this has to do with sifting through something, looking for something. Maybe this song is about trying to present this atrocity like it’s a game or a puzzle to figure out, as has been done to us – Chris never would have any of it, and he was smart in that regard. I was caught in that trap for a while. Wet the bed seems like a link to Snow Bud song “Uppers Downers Inners Outers” with the line about “bed wetters.” Bladder control/loss of bladder control is done with biomedical implants. Part of what they do is try to humiliate and traumatize and give people the sense of loss of control.
In Charles Cross’ book, Heavier Than Heaven, Burdyshaw isn’t mentioned, but Cat Butt is, in that apparently in 1989 (and it must have been June 10, 1989) Nirvana stepped in as a last minute replacement for Cat Butt in Portland. I looked this up, and it was at Blue Gallery, and it sounds like it was a difficult show because the only people there were there to see Cat Butt and were basically a hostile audience. It makes me wonder why Cat Butt suddenly didn’t play, and why Nirvana was asked to step in. And I will say, that what I feel right now, is that Monica Nelson was in league with Burdyshaw, and they were in league with Courtney Love, and there was a lift off/take down plan for Nirvana, and this all had to do with global finance.
In Chris and my situation, people often want to have some kind of contact with us, apparently because even the most superficial interaction allows them to create these false FBI reports which are then used to justify biomedical attacks, torture, and even assassination by FBI/CIA. Maybe that’s what was going on.
It looks like, according to livenirvana.com, the band that would become Nirvana began going by the name Skid Row in 1987. There was another band in New Jersey that called itself Skid Row beginning in 1986. I think that Everett True mentioned Cobain was unaware of this other band and that seems likely to be true, especially back then.
So to recap, first I realized that Burdyshaw’s comment to Everett True about seeing Nirvana open for the Obituaries was false, and then, while trying to fact check this on Pacific Northwest Music Archives Facebook group, I watched Burdyshaw and others wriggle around trying to explain the error even though I wasn’t initially accusing them or Everett True (in this case) of lying – I just said it was likely a mistake and poor fact checking, though based on patterns and the fact that this easily correctable misstatement has been on the Obituaries Wikipedia page for 15 years, I always had doubts about this being a mistake. I also mentioned that these kinds of errors, when they’re not caught and corrected, are consequential because they are then repeated by other writers and false histories are created, and false histories often have negative consequences for real people. And then this other guy, an admin named Matthew Ward came in and shut the whole thing down, profusely thanking Burdyshaw for “clearing up a mystery” – and then after my next couple of posts to the group which I did not expect to be considered particularly controversial, I was deleted and apparently blocked. (One post was an Untouchables poster from 1980 and the other was the post about my family’s links to Jimi Hendrix.)
Of course that makes me think there’s more going on, like – if the statement about Obituaries opening for Nirvana at Squid Row in 1988 was not a mistake but a lie, why this particular lie? I may have accidentally found part of the answer when I explored the New York Times and saw Cobain’s 1994 obituary which featured a photo of Nirvana playing directly underneath the word “Obituaries.” So that likely largely explains the Obituaries part – but what Burdyshaw specifying Squid Row as the venue?
I started to follow that thread, first by looking into the venue itself. It was a hole in the wall dive that went through a lot of different businesses including, according to an 2007 article in The Stranger, Rebellious Jukebox (a record store run by Nils Bernstein 1989-92 – Bernstein later became VP of PR for Sub Pop, then did I think publicity for Matador and now is a New York based editor at Wine Enthusiast magazine described as an “exhaustive traveler” – I feel like he may have been someone I tried to contact in the past, trying to generate interest in a Boo Frog album), Righteous Rags (Jeffrey Ofelt), Squid Row, the Puss Puss Cafe, Tugs Belmont (a gay bar), Bimbo’s, the Cha Cha Lounge, Double Trouble, Lipstick Traces (early 2000s), Manray, Kincora, Bus Stop, and Pony.
I’m going to stop here because clearly this is a rabbit hole and I think the Stranger intends it to be that. In the Stranger article, two anecdotes stand out: a story about someone finding decomposing severed fingers in a crockpot, and a typical type of Courtney Love story.
The Woman in Green 1945
With regards to the severed fingers, this was a theme in the 1945 hypnosis-themed Sherlock Holmes movie Woman in Green. It symbolizes murdering witnesses or potential witnesses. There’s another thing that it evokes as well which is the severed hand that appears in the Migos video for Stir Fry. The Stir Fry video seems to allude to the 1983 Wah Mee massacre that killed another Seattle club owner, John Loui of the Golden Crown. (It’s increasingly clear that many hip hop videos allude to backroom activities around grunge era Seattle. I believe it’s because the activities, issues, and people I’m writing about here about are so deeply interwoven with entertainment industry, US government, and high finance.) Also – this is worth its own entry – there seems to be something in the Migos Stir Fry video that I would call a smoking gun to tell you that Mark Lanegan, who died of COVID complications on 2/22/2022, was actually biomedically murdered. With regards to Lanegan’s death being a murder, there are actually a few smoking guns. So I will revisit this.
With regards to the Courtney Love story, it is told by (Cha Cha Lounge co-owner) Jeffrey Ofelt and takes place during the Righteous Rags era, probably around 1993. “Courtney Love came in to pick up a coat for Kurt Cobain that she had on layaway and was buying as a Christmas present. It was a leather trench coat or something. She came in to make a payment, and she wanted to use the phone, and she was smoking.” The coat was “a leather trench coat or something”? Was Kurt Cobain – or anyone in the early 1990s – ever seen wearing a leather trench coat? I mean, I’ve been wrong before, but I’m going to go out on a limb and say not.
This whole thing about combining two memories into one? That happens. But in this case, I suspect two garments were combined into one. This is another entry, maybe.
I did not expect things to get this complicated.
Back to Squid Row, specifically. That bar seems to have opened in 1986 (possibly) but really got going with live music in 1987. The only record I have of Chris Newman playing there is for Claudia Gherke’s 28th birthday in 1988, with Snow Bud and the Flower People. I’m thinking this venue might have been a bit small for him during that era, but he would usually play for people he considered friends who asked him to do special events like birthdays. He was even cajoled into reviving Napalm Beach for birthdays years after he swore he’d never play as Napalm Beach again.
This is partly why I’ve focused so hard on Squid Row – because Chris was asked to play first as Napalm Beach at the Vogue for Claudia’s 27th birthday, and this was right before the Vogue started doing Sub Pop Sundays – and then he was asked to play Claudia’s 28th birthday at Squid Row as Snow Bud – and both those times, a Sub Pop super group known as Bundy Creature opened for him. It was like some weird book end.
I did not know (or remember, I suppose I’d read it) that one of the names for Nirvana, in early 1987, was Skid Row. According to livenirvana.com, that name lasted about three months between April and June, and they played around four shows under that name. They played Tacoma’s Community World Theatre on June 12, 1987 as Skid Row but on June 27, 1987 they played the same venue as Pen Cap Chew. June 27 is an important date because June 27, 1988 was the day Bret Bowman was hit by a car, it was the day that Sub Pop Sundays ended, and I know that date was picked out for Bret to be hit at least June 27, 1987, a year ahead of time, because I’d recorded a predictive dream that night. But it’s possible, and I’ll have to look into this more deeply – by June 1987 Kurt Cobain was also already on the creep store murder menu.
Cobain stands out among other musicians because of his willingness to distinguish, from my perspective, right from wrong, with regards to what Chris and I were being put through. Thus, the symbolism of a severed finger (accusation).
With regards to Cobain using the name Skid Row – the history of the term Skid Row is interesting and I didn’t know that a lot of sources trace it directly to Seattle. Basically, in the early days of Pacific Northwest logging, lumberjacks were faced with moving these giant trees out of the forest by pulling them with horses (usually) or oxen. The easiest way to do this was to pull them downhill (obviously) so that’s how they logged – they’d build a flat “road” into the woods, and skid the trees down the road to the mill. The road was called a skid road. Lumber camps or tent cities were built along these roads, and the tent cities were eventually called “skid row.” I think the reason that the name Skid Row is associated with Seattle is because there was a large and maybe famous or semi-permanent skid row area in Seattle back in those days. This links to me. How? Where I grew up, in Humboldt County, we had the same thing going on. I grew up at the edge of a redwood forest that had been logged in the late 1800s and again in the early 1900s and right behind our house in the woods was a skid road. We called it “the old logging road” but it was a skid road. I played in that area a lot as a child and I have reason to believe there was surveillance around our favorite spots – probably wireless cameras attached to trees feeding data to hidden drones. In addition, in the summer of 1986, Bret Bowman and I both worked at the Samoa Cookhouse, an old logging camp cookhouse in Eureka that catered to tourists. He was a dishwasher and I a hostess and I’m sure there was surveillance in there, too.
Also, my assertion is there was always a plan to leave Chris and I impoverished, as others grew wealthy from exploiting us and spreading damaging lies about us. It was no accident that by the late 1990s Chris became homeless, living in “tarp town” San Francisco, a modern skid row. Finally, it’s possible that Nirvana’s temporary band name was a direct nod to the Squid Row tavern, because clearly the Vogue was important with regards to an agenda around Chris, and like I said, 1987-88 were bookended by Chris playing with Sub Pop’s Bundy Creature first at Vogue, and then at Squid Row.
Bars seem to be important with regards to the structure of this surveillance-linked exploitation, probably because they are gathering places, and exchanges of money, goods, or backroom deals can be made without drawing undue attention. And squid are sea creatures known for having large eyes, excellent vision.
Sometime between June 27 and August 9, 1987, according to livenirvana.com, Cobain played a house party in Raymond, Washington called the Green House. Other sources, like Charles’ Cross’ Heavier Than Heaven, say their first show was at a Raymond, Washington house party. on March 7, 1987. So there’s some conflict about what was going on in these early days, but I’m putting all of this here because Cobain killed himself in a greenhouse, because the Seattle police, when they released suicide photos in 2014 filtered all the photos to have a green tinge.
Raymond is a small town, a half hour drive from Aberdeen. According to the Charles Cross biography, the March 7, 1987 show was set up by somene named Ryan Aigner. Cross’ claim that this was Nirvana’s first show conflicts with the information posted on livenirvana.com which has him playing as early as December 1985 as “fecal matter” with Dale Crover on bass and Greg Hokanson on drums. None of this online stuff is sourced, so I don’t know where the information comes from but maybe over time I’ll figure it out. If I were a writer being paid to write a book about Nirvana, I’d definitely want to chase down these leads. I’m guessing this has been addressed somewhere in a more recent book.
I want to also draw attention to this name “Bliss” which shows up briefly as an August 1987 proto-Nirvana band name and say that, like Heck being a name from my family tree, Bliss a name from Chris’ family tree, on his mother’s side. They were descended from the brother of a famous hymn writer named P.P. Bliss who had died along with his wife in a train crash (Ashtabula River railroad disaster).
What is in the name of a rock and roll band? Nothing and everything.
I want to start by talking about Napalm Beach, with the idea that I’m now moving toward the idea of Nirvana and Napalm Beach as mirrors of each other, because that seem to have been an intent. “One above, one below.” I believe this is what you see indicated on Tarot Card number 1, the Magician, with the double edged wand that looks like it has a candle flame at each end, one arm pointing up, one down. What is magic but a potent type of mind control? That’s how I see it, anyway. Obviously there’s a lot more at work (global finance), but it’s really clear beyond clear there is an occult element to this running all down the west coast – Los Angeles, San Francisco (Monterey, Marin, Sonoma), Portland, Seattle.
With regards to Chris’ history in Portland, he seems to have formed this band called The Goners while living in San Jose, where his family had relocated in the 1970s. After trying and failing to get traction with his first all-originals band in Los Angeles in 1974, he’d spent a few years working as a sign painter. His family was going to a Pentecostal mega church in San Jose, where his two sisters would meet their husbands and marry young. His sister Becky’s husband (the one who in 1996 helped dump all of Chris’ belongings) had a father who worked for Boeing in San Jose, and I think that’s significant for a number of reasons. For one thing, that particular Boeing plant is closely linked to Stanford University. Both my parents have their PhD’s from Stanford. There is also a link to directed energy weapons.
So in that world, Chris formed this band called the Goners. Then Chris and his band relocated back to Longview. When and why Chris moved back and forth between San Jose and Longview is a bit murky to me, but I think there were tensions between him wanting to pursue rock n’ roll and trying out other more conventional ways to make a living. He had been in a covers band called Bodhi 1971-74 which had done pretty well, but he’d always been trying to transition to a band that did all or mostly originals and could still work regularly, progress, make records, etc. There was a whole thing going on at that time period with regard to managing the expectations of small town wanna be rock n’ rollers which is worth another entire essay (I swear I could write a thousand page book) – but I’ll leave that for now, except to say, things that Chris and I thought were just reasonable life-advice in the 1970s and 1980s often were in fact calculated, top-down, control and expectation-management programs. (My working theory right now, fwiw is that the punk movement was a CIA op.)
So the Goners, which I believe was basically Chris, maybe Dave Minick, and probably shifting drummers at first – moved to Longview, and then, because Longview was a small town, to Portland, which to them, was the big city. Chris had lived in Seattle in the past so I’m not sure why they chose Portland rather than Seattle, but they did. It may have been influence of people around Chris, like the band they first played with in Portland, another Longview band called Alost. What Chris wrote was that it was Alost who told the first club they played the band name was “Untouchables” and then the name stuck. As I said earlier, it shows how suggestible Chris could be. Where I would spend months trying to come up with a band name, or tweaking lyrics, Chris tended to go with first thoughts. He often wrote out songs fully formed. No draft one, draft two, crossouts, etc. If he was drafting and editing, it was all in his head.
Under the name Untouchables, between spring of 1980 and summer of 1981, the band blazed a trail through Portland and Seattle. They were playing constantly at Portland clubs like Urban Noize, The Met, 13th Precinct, The Long Goodbye, Euphoria; and in Seattle at The Wrex, Gorilla Room, and Metropolis. They opened for Joan Jett in Portland, Johnny Thunders in both Portland and Seattle. They were given a spot opening for a band called April Wine at the Paramount Theatre (not the best fit for them as it turned out). Then, in the summer of 1981, an LA ska band wrote a letter about the name Untouchables. Chris has described this in diffrent ways. At first it sounded like a cease and desist letter, but in his biography he indicates something subtler – that the band asked if he “owned” the name Untouchables. And Chris responded that they did not own the name, and the ska band thanked them, and began to use the name. What Chris wrote in his biography is this: “When we played our showcase gig at the Paramount a few months later, Double T productions changed our legal name to Napalm Beach.” Honestly, it boggles my mind, that as late as when he was writing these memoirs, 2010, Chris thought that a promoter could change his band’s “legal” name. As for how that name was developed – my understanding is it was Mark Nelson’s idea. Chris was obviously ok with it, and again, how he was thinking at the time, and the different influence pushing and pulling on him are worth examining in part because it speaks to where music was at that time, but also, what kinds of influences were beginning to surround Chris, and how they were – I think the word is manipulating – him. Mark Nelson was one of those influences.
The reason why I bring all of this up is, it seems to be part of a pattern. I wrote earlier about how the band was forced to slow down when in 1983 all of the clubs suddenly closed in Portland and Seattle. In this case, before that even happened, they’d spent a year creating buzz under the name Untouchables, only to get pushed from at least two different angles to change their band name. A name change is not the best move when you’ve already established recognition and momentum.
The reason why I started thinking about all of this right now is, as I’ve said, I’m now looking at Napalm Beach as the other side of the Nirvana coin. Nirvana’s show dates are, for the most part, all archived online now, and in taking a look at them, I realized something that wasn’t really clear from the biographies I was reading prior to 2010, which is that Nirvana also went through several name changes early on. Yes, this gets mentioned – but I never realized that, for example, Nirvana was actually playing shows under names like Pen Cap Chew or, more notably to me now – Skid Row.
Sometimes I give sweeping broad overviews. Sometimes, not very often, I focus on the same thing, more and more, like a microscope drawing down to see that one detail. If you are genuinely interested in understanding the truth about something, both approaches can be useful. In this post, I’m going to focus in on three comments on the long Pacific Northwest Music Archives Facebook thread that was closed down.
Being as I’ve been blocked from the group, and the group is not viewable to me, this means that not only am I unable to post, I am unable to see what has been posted. I don’t think this is really a small matter. Yes, of course it’s within their rights. But there’s what you have a right to do, and what is the right thing to do – those may be different things.
I was never told that I was out of line and asked to modify my behavior in a particular way. Rather, some of my posts were deleted and then I was blocked. Why would that be? Was I harboring some passive aggressive attitude? Maybe some of it could have been interpreted in that way – but is this how fragile all these rock n’ rollers are? In honesty, I don’t think my “behavior” was the real problem. I think the real problem is that I don’t adhere to the script, and secondarily, there are a few other people in the group who may post things that I will see that give me clues about sources of malfeasance in the Seattle scene – malfeasance that affects me personally, malfeasance that led to Chris being homeless, and ultimately murdered.
This idea that the northwest music community is a big supportive family with healthy sporting competition and minor regional rivalries is a marketing scheme that both Chris and I bought into. It doesn’t hold up under scrutiny.
There are about three posts from the first thread that was shut down I want to look at a bit more closely.
First Post Under Microscope: Burdyshaw shifts the topic
A few comments. Pattern-wise, something I’m seeing increasingly are discussions that start out being about one thing, but then someone within the discussion sliding it into something else. When you’re involved in a discussion like this, that can be really disorienting. I think we’re talking about a certain topic, then suddenly it’s a different topic. In this case, the question was pretty simple: First, did Nirvana open for (or even play on a bill with) the Obituaries at Squid Row in Summer 1988 as was reported by Jerry Thackeray aka Everett True in 2006, based on an interview with James Burdyshaw of Catbutt, who said that he had seen Nirvana open for the Obituaries at Squid Row in Summer 1988. And secondarily, as a follow up, did Nirvana ever play on a bill with the Obituaries, as has been reported by several sources, and has been on the Obituaries Wikipedia page, I think since 2007 (that’s fifteen years if you’re counting). And I had done some follow up research and had by this point concluded that based on the available evidence, Nirvana never played on a bill with the Obituaries.
I had originally tagged Monica Nelson into this thread, not Burdyshaw, mainly because I “know” her. But she didn’t respond directly. Meanwhile, Burdyshaw comes back and says he spoke with her, “and she’s not certain when or where she saw them either.”
But this wasn’t about Monica and the Obituaries seeing Nirvana, it was about them playing on a bill with Nirvana. The topic has shifted.
There there’s a lot of lady doth protest too much stuff, but even within that, it looks like Burdyshaw is throwing out hints and suggestions about how the world works. The word “ultra.” The mention of the Beatles. The phrase “bloody show.” The reference to Hamburg and the Reeperbahn. 64 Spiders. The Rainbow Tavern. Xmas. Nobody.
Something I’ll add is that I believe that Chris Newman met Kurt Cobain in 1988, in Portland, backstage at Satyricon. If you think about this, even if you weren’t part of the community at the time – it starts to get pretty hard to believe the stories about Kurt Cobain first meeting Courtney Love anytime after 1990.
Second Post Under Microscope: Matthew B Ward can totally understand
Matthew B. Ward seems to be the guy who deleted my posts, etc. I didn’t know any background about him, but when I look him up online, it gets interesting (to me) pretty quickly, because he has this weird kind of adjacent to me thing going on that certain people (including Courtney Love) have, by which I mean, they have a background that seems to cross paths with or run parallel to my background in different ways. Here are the things in Ward’s background that are adjacent to things in my background (or people who were close to me, like Mike Payne)
Ward has a history of travel to, working in Japan, Thailand (Mike Payne worked at a Japanese restaurant and with Japan-linked people and has been to Thailand several times)
Ward says he’s from Lopez Island – that’s next door to San Juan Island, where I was born
Ward went to Roosevelt High School and University Washington – my dad went to Roosevelt High School and University of Washington
Ward studied English writing in college and so did I, and he was a teacher and so was I (briefly). My Seattle grandfather was also a teacher (Garfield High School) and both my parents were teachers as well (high school, college)
“A book written about your S.O.” – I was talking about the factual inaccuracies in Eric Danielson’s book, without referring to it or him directly. I have mixed feelings about Danielson’s work overall, because in some cases, he did some good work with archiving, for example, a discography (although it’s possible a lot of the work was done for him behind the scenes). But in the full scheme of things, there’s probably been more harm than good done because of all the inaccuracies and distortions, and because there is such a paucity of material available, and Chris is no longer around to personally interview, etc. Danielson’s book was self-published, however, while Everett True’s book, and the Willamette Week article, etc, were not. So publishers are not doing due diligence in checking basic facts – and this isn’t just happening with one book – it’s a pattern.
Back to Ward – look carefully at the language he chooses:
“I can totally understand that it must have been bizarre and disorienting…”
This is the way people talk to me. It is a pattern. “You are anxious.” “You are disoriented.” “You feel a loss of control.” It’s always always always focused on my emotional state, as if that’s what this entire thing is about. The language is patronizing while feigning concern. And this is always when I’m trying to discuss facts.
Mansplaining on steroids.
I responded that (Danielson) – who Ward called an “attempted journalist” – literally has (I thought) a Masters Degree in Journalism and I explained my background, and why I know what responsible referencing and source checking looks like and that is a post which was deleted. By the way, I didn’t use Danielson’s name at all in these posts. I should say I just re-checked his bio and possibly I made a mistake (I say possibly because there’s a lot of shifting around going on). Danielson’s current Amazon bio says that he studied journalism, but both his BA (from University of Washington) and is MA (from George Washington University) are in history. This is a minor issue, because my complaint about Danielson is specifically that 1. he gets facts wrong 2. he doesn’t cite sources, and I have to add a third one now, which is that 3. when mistakes are pointed out to him, with evidence, he refuses to correct them. Historians know how to do this kind of due diligence as well as if not better than journalists. This refusing to correct factual and even damaging mistakes is another pattern. In some cases, it’s libelous. (I may come back to this because Danielson just republished his book on Chris with a new title.)
“I also don’t think there is an agenda in that particular case” Ward writes of the Danielson situation – but how exactly would he know, being as I gave no specific details? I didn’t mention Chris, Danielson, or the book by name. The truth is, Ward does know. He knows there is a massive agenda around Chris. At risk of being a bit harsh – how stupid does Matthew Ward think I am? Or is he simply trying to make me look stupid (another pattern) while possibly triggering me with his patronizing attitude?
I saw this kind of thing done to Chris all the time, and how he tried to cope with it year after year after year. Sometimes he would get triggered. Most often he just kept trying to do his own thing, looking for appreciation where he could find it.
Ward finishes the post by saying he’s blocked in a group that he co-administers for pointing out something factual – I can’t even wrap my mind around how you would be blocked from a group that you administer so I’ll just let that one go.
Third Post Under Microscope: “Thanks in particular to James Burdyshaw for clearing up an interesting mystery”
What mystery, exactly, did Burdyshaw clear up? It looks to me more like he got caught in a lie, which he was then permitted to back out of, relatively gracefully.
Ward goes on to mansplain “we should not read too much into the fact that aspects of the past will probably never be established for sure, especially when talking about murky, alcohol-fueled adventures that happened over 30 decades ago.”
30 decades – ? a weird – typo? So let’s say he meant 3 decades or 30 years. It’s a valid point explaining how Burdyshaw may have made an error (even though I don’t think he did and I’ll spare you that scrutiny) – but it doesn’t explain the point that I made several times which is that the editor/publisher/fact-checkers of the book did not do their jobs.
All these words are potentially coded language linked to financed malfeasance: murky, alcohol, fuel.
Ward again displays a sign that he’s got a background meshed into a mind control agenda (CIA) – “aspects of the past will probably never be established for sure.” Look, you can get a pretty good handle on certain aspects, like did a band play a show at a particular location at a particular time, especially if the band was Nirvana.
The thing about Nirvana is they became so famous so quickly that it sent a shockwave through everything. If you saw Nirvana prior to them becoming famous, you didn’t have decades to forget about it before they became famous.
My current claim is this: the reason for muddying the water around Nirvana is because there was a plan for Kurt Cobain and the plan was murder by suicide. And it was conspiracy. And in order to cover it up, more murders. And I am a big target for these people and you can imagine why. That is why this crowd relentlessly patronizes me, libels me, and tells all these lies.
