Diamonds seem to represent both finance and piezo-electrical biomedical implants. Chris Chalenor was a colorist for Dark Horse comics. Dark Horse Comics was established in 1986, the same year that Chalenor was interviewed for the Napalm Beach documentary. I think there must be some important link between this company and Chris Newman – one that Chris was unaware of. This is something to discuss later, but as far as Wu Tang Clan’s Gravel Pit goes, it came out in 2000 and Chalenor died in 2001. Because of the imagery in Gravel Pit, and the cartoonish nature of it, I’m convinced that it is intentionally referencing Chalenor and the financing of FBI files that lead to covert assassinations being linked to construction projects (thus, the endless gravel pit). Diamonds and gravel are part of the same system. There’s a nod to Ol’ Dirty Bastard who was in prison during this time period, probably for the same reasons.
Land of the Lost is the name of a Wipers album that also came out in 1986, for which Chris Newman painted the cartoonish cover.
It is common to see media that covertly references something linked to Portland or the Pacific Northwest open with a direct reference to New York City. This makes me think that the finance and instructions linked to the finance is often coming from New York. In this case, it likely indicates finance for construction projects, and/or activities linked to biomedical implants. It may be that someone in New York is providing the outlines of the damaging scripts to distribute to the community, that they are expected to report back to the FBI. Perhaps in return for this, comes investment dollars.
Chris Chalenor was a colorist for Dark Horse comics. According to fandom.com, “he colored several comic books in Dark Horse Comics’ Aliens, Predator and Aliens vs. Predator lines” and “provided original artwork for the Batman versus Predator trading cards” (https://avp.fandom.com/wiki/Chris_Chalenor). Chalenor was born December 10, 1963 and died in 2001 at the age of 37. What I was told is that he committed suicide after having been diagnosed with terminal cancer.
I first arrived in Portland in late 2000 and I never met Chalenor. However it seems he was among the crowd who frequented Satyricon in the 80s and 90s. When I began working with David Ackerman on his Satyricon photo archive in 2006, he would sometimes point out people in the club. Chris Chalenor was in a photo from the January 6, 1989 Nirvana and Mudhoney photoset. This roll was mostly photos of Mudhoney and Nirvana, with a few photos of people in the crowd. No photos on the roll, that I can recall, of Inner Anger performing, though a photo of Courtney Love shows her posing in front of their set list. I have the sense that the band name Inner Anger is a nod to occultist filmmaker Kenneth Anger and that he was (maybe still is) a channel for financing false reports to the FBI. Satyricon had a playground funhouse feel but seems to have been a magnet for occultists.
Here is the photo of Chris Chalenor at the Mudhoney/Nirvana/Inner Anger show (no one has ever identified, to me, the women in the photo)
So I saw this photo in 2007, and David pointed out Chalenor, telling me that he’d been a comic book artist who had died young. Chalenor came to my awareness again probably around 2010 after Chris and I were together and I was trying to cobble together lost media archives from Chris’ past. One of the things I acquired was a DVD of a 1986 film (a video, actually) made by Neo Boys drummer and K Records associate Pat Baum. (I also, for what it’s worth, had a scan of flyer for the film, which described Chris’ music as “grunge.” That seems to have vanished.) Actually, it’s unclear if the video was completed in 86 or 87 – Chris was pretty certain it was released in 1986, but credits in the video say 1987. The full video which was on one of my many blown out media devices, was about 30 minutes long and contained a relatively lengthy section where Chalenor said a lot of very nice things about Chris Newman as a musician and artist.
Although I’d noticed a disturbingly high number of cancer diagnoses and deaths in Portland, it wasn’t until 2018 that I began to understand that people were literally being murdered with cancer induced by frequency weapons, including UHF frequencies from television towers, aimed at covertly placed piezo electrical biomedical implants, and also including weapons linked to the network of drones which is very obviously overhead at all times.
A question I have – having just posted these images from the Big Time music video – I remember in this Pat Baum film, Chalenor wearing an outfit similar to the one you see in the middle image, in front of the close of of television snow – but I can’t be sure because I no longer have the whole video. He wouldn’t have had a bow tie but he may have been wearing white, black, and burgundy.
Holla ‘cross from the land of the lost Behold the pale horse, off course
A pattern I’m now seeing is certain set ups referenced repeatedly in media. Why this would happen is something to consider as well. I describe this as a crime but it’s probably seen by many participants as a war for spoils.
With regards to the April 1974 pony incident (and the booby trap incident two months earlier that broke my mother’s back), I believe it was evoked by George Harrison with his references to being a “dark horse.” Also, it’s very clear that Courtney Love was strategically placed in this “war” by her parents from a very early age – her father’s last name is Harrison.
The Dark Horse song and album came out in December 1974. Harrison’s label, Dark Horse Records, had been established earlier that year.
I’m a dark horse Running on a dark race course I’m a blue moon Since I picked up my first spoon I’ve been a cool jerk Who’s looking for the source I’m a dark horse I thought that you knew it all along Until you started getting me not right Seems as if you heard a little late I warned you when we both was at the starting gate I’m a dark horse Running on a dark race course I’m a blue moon Since I stepped out of the womb I’ve been a cool jerk Who’s looking for his perks I’m a dark horse
October 2013 Katy Perry released an album called Prism. Prisms and rainbows seem to be historically linked to mind control, hypnosis, and “sleep.” The famous cover of Pink Floyd’s Dark Side of the Moon (March 1973) features an image of a triangle-shaped prism refracting white light into a rainbow.
There were several music videos associated with Prism which came out in the months following the album. This is significant, I think, because it was in September 2013 that I’d published the Introducing Napalm Beach article and it was in late January when I’d been chased down and kidnapped, and I know that incident was captured on video, probably beginning to end, and widely distributed through entertainment industry channels.
There is a lot of wanting to pretend that nothing actually happened and no one actually cared or knew anything about what was going on at that time but that’s a huge lie. Lies are what I’m trying to dissolve, and truth is what I’m trying to expose. Katy Perry and her team have always been aware of what was going on with me, and in fact she and they had a lot more information than I did. The video for Katy Perry’s Dark Horse came out February 20, 2014. The Egyptian-fantasy imagery (“Memphis, Egypt – a crazy long time ago…”) describes the structure and plans around what had happened, what was being planned, and evokes the players involved, the links to the occult (“magic”) but in a way that I found very difficult to decipher at the time. It’s dicey for a number of reasons to use media to try to decipher plans in action, even though there are usually clues being dropped.