Author: admin

Horseman’s Holiday

There are a lot of things I wanted to do with Chris – not just tour with our band, or make records with distribution so that they would actually sell – but have our own home with a garden, have enough money to do things a lot of people take for granted, travel, etc. There are a lot of things he wanted to do. He wanted to go back and visit San Francisco in good health, and New Orleans where he’d lived as a child. He wanted to see places he’d seen in movies, like Las Vegas. He was fun to travel with. We had some good time traveling back and forth to pick up and drop off my daughter, staying in flea bag motels, but it would have been nice to have an actual vacation and eat at a nice restaurant and stay at a nice hotel. So when I found out how much money was potentially owed to him – back in 2014 – both of us had hope at first. Because we thought the world worked as advertised, and we could make some of these dreams come true.

Chris loved the idea of being fit, swimming, surfing – loved surf movies. In all his years on earth never rode a horse, and it was something he wanted to try. That’s something I kept thinking about, and it became crushing when I realized he was going to die and I couldn’t make these kinds of things happen for him.

Horseman’s Holiday is a song he wrote, recorded, and mixed himself at home (8 track I think) in 2017.

“Psychic pain”

Script keepers are crypt keepers, and crypt keepers are script keepers.

Those of us who have biomedical implants, like Kurt Cobain did, have abilities that can appear to be psychic. The mind – all parts of the brain – literally wirelessly controlled. That’s how relapses are forced, or people are made fat, or skinny, or even suicidal.

he said really i just wanna dance
good and evil matched perfect it’s a great romance
i can deal with some psychic pain
if it’ll slow down my higher brain
veins full of disappearing ink
vomiting in the kitchen sink
disconnecting from the missing link
this is not my life
it’s just a fond farewell to a friend
it’s not what i’m like
it’s just a fond farewell to a friend
who couldn’t get things right…

Elliott Smith, “Fond Farewell” Basement on A Hill 2004

Charles Cross and Everett True

Two books that I have and tend to go back to fairly frequently for references are Everett True’s Nirvana – The True Story (2006) and Charles Cross’ Cobain Unseen (2008). Once I understood what kind of impact Chris Newman and Napalm Beach had musically in Portland and Seattle, I realized there was something really wrong, in that almost without exception, Newman’s work is omitted from histories. Everett True’s book is an example of that. A few months ago I realized that a page was missing from the book, specifically the index page which would have had a reference to Napalm Beach, had Napalm Beach not been blacklisted. Then, a few days ago, I found the page – someone had torn it out of the Everett True book, and put it inside the Charles Cross book, here.

Everett True - Nirvana, True Story - index page 625 shoved inside Charles Cross - Cobain Unseen - page 66 - an entry about when Nirvana begins to eclipse more senior bands like the Melvins, late 1990

Chainsaw Music

1982 Portland AM NW “punk scene” segment (excerpt)

What you see throughout the full video are people struggling to capture what their scene and sound is about in a TV soundbite, as well as complaining their music is being ignored by the local music press.

Chris used a lot of fuzz tones. Someone says “chainsaw music” – when Chris is asked “what is chainsaw music?” Chris says “I don’t know, you have to ask these guys.”

Blue Gallery, Elliott Smith, Sean Croghan

Blue Gallery

June 10, 1989

From Chris’ memoirs – Napalm Beach played Blue Gallery a couple of times. The club felt competetive with Satyricon. Blue Gallery owner Tim Brooks was the local champion for the sub-underground snobbery embraced today by the Olympia K records scene. It was his job to dismiss bands like the Jackals and Napalm Beach as worthless bar bands berift of art and unworthy of consideration. Brooks felt like his little bar was the true music mecca. He claimed the Satyricon was over run with ripped blue jeaned blues based junky bands. Sean Crogan of Crackerbash was Tim Brook’s friend and shared his sentiments. Croghan also played and promoted the X-Ray cafe, an all ages downtown venue run by his highschool pal Tres Shannon now of Voodoo Doughnuts fame.

Note: Blue Gallery was circa 1988-1992
Tim Brooks died of lung cancer in 2004 at age 48


poster for Tabasco Tim's acoustic showcase with Elliott Smith, Chris Newman, Sean Crogan, Birddog, Jerry Ann + special guests
July 5, 1995

Elliott Smith and Sean Croghan

I was playing an acoustic showcase with Elliot Smith and Sean Croghan at the Egyptian club (July 5, 1995). Croghan insisted he and Smith play first to the small crowd. I was on fire and excited to play with Elliot (sic) there. Before I could play my first chord, I saw Croghan pull Elliot out the door, sending me the message that I wasn’t worth listening to.

I have enemies in my little town of Portland, but the real problem fuckers are in neighboring Seattle and Olympia. If they continue to have their way, I will stay written out of the Northwest history of Rock n Roll Music!

I know the competition is based around the fact that I outshine most mediocre artists. I have put years of work into my passion. These days the DIY culture encourage the young to get out there and do it.

I hear some great stuff now and then. I do believe there are things more important than musicianship in this craft. You have to retain a sense of humor and to trust your gut feeling on everything. That is God’s voice speaking to you, I believe.

Music equipment theft as catalyst 1967, 1982

Valarie, Sam Henry, X, Sean Croghan

Canyonville Bible Academy – 1967 – 1971

From Chris’ biography – My ninth grade year was a bizarre culture shock. I had gone from being adored as Pugsley in Mississippi, to the ridiculed and strange chubby flower child that wandered the halls of Olympic Junior High carrying flowers with my new found girlfriends Patty and Sharon. All the jocks and squares taunted me with “Hey Flower Boy,” and “Faggot.” There was the occasional shoving and threats when the girls weren’t around.

This all changed later that year when some of the bad kids heard I played in a band with Ed Banning, who was known for living at his Mom’s doing what he ever he pleased, being kicked out of Jr. High and he knew where to get pot. A couple of the more influential popular kids asked me to hook them up with some weed. I half heartedly agreed and then I panicked, not really wanting to ask Ed to help me out.

I ended up giving the kid a bag of oregeno and he seemed okay with it, since it was free of charge and he had no idea what the stuff looked like. Eventually I was in the position to get a joint now and then, but this also brought the riff-raff out. This one hoodlum kid showed up at my house and tried to sell me a Vox bass amplifier he had stolen from the school gymnasium along with a couple of the school’s microphones.

I knew the kid who the amp belonged to and I had jammed with him at my house. He had a band called Green Square, and they were really advanced players for fourteen year old kids.

I got my friend on the phone and told him who had his Vox bass amp and his dad was right on it. My school principal called me and my folks into the office to hear my part in it. This caused the entire school to look at me as a dirty rat fink! Not cool!

Everywhere I went that summer I was accosted by these assholes. What was I supposed to do? Let the jerks rip off my friend for his equipment? After getting hassled and ridiculed all the time, I decided, “Hey Mom? You know what? I might be interested in going to the private Christian high school that you and your sister’s and brother attended.” C.B.A. Canyonville Bible Academy. Nestled in a peacful Southern Oregon mountain valley, almost four hundred miles from Seattle, I could start a new life.

On my own, away from home at fifteen.

X – 1983

Something I realized now, going over this history with a fine toothed comb, that I’d somehow managed to miss before was that it appears that the notorious X and Napalm Beach show at Euphoria may have occurred on the same tour where I’d seen X perform at an all ages show at Mojos in Arcata. It was one of my first concerts, and the first show I can remember seeing in a club setting. I was 15 years old – Erika

Chris: I first met Valarie at Sam’s apartment in San Francisico in the Tenderloin district. Sam’s girl Kathrine had a fatal overdose in San Fransisco while Napalm Beach were gone to Portland recording Rock N Roll Hell with Greg Sage in the Summer of 1983. This all had happened just six weeks before we all met Valarie and her friend.

Valarie was an obvious speed freak. Sam met her and this punkrocker chick in the park down on the street below. He brought them up inside his apartment where I was smoking my killer bud. I was thirty then and they were only eighteen. They were up all night folding clothes, tweaking on what ever could keep their fired up brains busy.

The next day Valarie informed us the other chick was planning to rip off Sam for his guitar, practice amp, and anything else of value. She and a couple of dudes were going to break in by climbing the fire escape.

This foiled their plan, and Valarie stayed around to party with us. She was Sam’s girl for a couple of days. She mentioned she lived in San Jose with her Grandma Caldwell most of the time. It turned out to be a couple of miles away from my Dad’s store on the Alameda Expressway.

We all went to see X play at the Kabuki Club. It was weird to see the expression on Exene and Johns faces when me and Sam were standing there in front of the stage. Our little incident at the Euphoria club had only gone down a few months before. This was September 1983.

The Euphoria was a one thousand capacity venue. Napalm Beach had played the night before in Seattle, and we were pumped up for the show with X. We ended our rousing set with a tribute to Jim Morrison and the Doors, and a song much like “THE END”, called “LAST DAY”. It brought the house down, the audience was on its feet and cheering. Even John Doe and Exene were up front banging their heads. A standing ovation for a local opening act is almost unheard of. It was the kind of show a musician dreams about.

Afterwards John and Exene invited us up to their dressing room. Mark was the sensitive martyr, but he was my right hand man and and I should have grabbed him out of respect, especially when Sam and Gwartney came up on their own. Mark was in his low self esteem mode, acting as if he was nothing more than a glorified roady. He had Gwartney help him load the van with our gear. This was before X had even hit the stage.

X invited Napalm Beach to come and play some shows in LA. John Doe tried to beckon me to get to the Big City. LA or New York. He was right. You can’t get anywhere here. Things did change ten years later in the great northwest.

X went on to play a rowdy inspired set that night. By this time I was fucked up royale. It was time to load out and split but Mark had already done that. Then… I blew up like an Atomic Bomb! Someone had broken into our van and stole my Marshall amp head and a few of Sam’s drums. I was livid and caused a huge scene there in the alley behind the club. Gwartney joined in the rage. Shaking and pounding the dumpster and primal screams making X’s skin crawl, I’m sure of it!

John and Exene looked horrified as I gazed into their vehicle with a crazed look in my eyes, and started to tell Exene how I could go for her if she was available… They took off with haste, and I soon recieved an official letter from their management and booking agency in Los Angeles.

“Napalm Beach, we cannot work with such unprofessional behavior. Do not come to Los Angeles. I repeat!!!…”

A few days later, two young kids told me the name and address of the boys who stole my Marshall and the drums. I called the cops with the information. They said they couldn’t do anything about it. Those Montoya boys were trouble.

I got a posse of four huge dudes to go with me. We got up to the door, and a little fifteen year old red headed kid answered.

“Here’s your drums, and our friend has the Marshall head in Tillamook. We will meet you at the corner of 39th and Powell tomorrow at 3:00 PM.”

They were there with ten other boys. They quietly handed over the amplifier, and I sincerly thanked them. It was amazing. We howled with laughter driving away with the equipment.

Years later a local musician and man about town, Sean Crogan of Crackerbash, told me he was one of the skater kids who helped out by giving up the Montoya boys as the thieving culprits.